Paule Constable

Theatre includes: Coram Boy, Southwark Fair, Paul, Translations, The House of Bernarda Alba, His Dark Materials, Three Sisters, Jumpers (also West End and Broadway), Play Without Words and Ivanov (all NT).

For the RSC: As You Like It, The Prince of Homburg, The Seagull, Uncle Vanya and The Dispute. Also The Cut (Donmar Warehouse), Don Carlos (Sheffield Crucible and West End) and shows for the Royal Court, the Lyric, Hammersmith, the Young Vic, the Donmar and Theatre de Complicite.

Opera includes: Le Nozze di Figaro, Faust, The Cunning Little Vixen, Die Zauberflöte, Macbeth and Rigoletto (all Royal Opera House, Covent Garden); Cosi fan Tutte, Giulio Cesare, Gianni Schicchi, The Miserly Knight, Carmen and La Bohème for Glyndebourne, L’incoronazione di Poppea (Paris, Strasbourg, Berlin and Brussels), A Midsummer Night’s Dream and Agrippina (Brussels) and Les Contes D’Hoffman (Salzburg Festival), plus productions for Opera North, Scottish Opera, Welsh National Opera, Barcelona, New Zealand Opera, Houston, Dallas, and Chicago.

Dance includes: Naked for the Ballet Boyz, Highland Fling and Play Without Words with Matthew Bourne, and Les Liaisons Dangereuses with Adam Cooper.

Awards: Paule Constable won the 2006 Olivier Award for Best Lighting Design for Don Carlos, the 2005 Olivier Award for Best Lighting for His Dark Materials, the 1999 LA Critics’ Award for Amadeus and had further nominations for The Street of Crocodiles (Complicite), Amadeus, Uncle Vanya (RSC) and Play Without Words (NT).

She is a Technical Associate of the NT.